Indietracks 2014 Photos and Memories

29-31 July 2016: "a collective adventure in generalized joy and freely interdependent exuberance"
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Re: Indietracks 2014 Photos and Memories

Post by Barto » Fri Aug 01, 2014 1:03 pm

Now starting to listen to bands I don't know and didn't catch and marked as highlights multiple times here. First band: Thyme Machine. Oh God, how wonderful they are!

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Re: Indietracks 2014 Photos and Memories

Post by mkgleeds » Fri Aug 01, 2014 6:58 pm

tonieee wrote:The Popguns did a cover of Can't Ignore The Train by 10,000 Maniacs and I think I heard someone doing a cover of Missing The Moon by The Field Mice. Though I might have dreamed that. And Allo Darlin did You Can Call Me Al.
Popguns also played Head Full of Steam by The Go-Betweens in the merch tent

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Re: Indietracks 2014 Photos and Memories

Post by Barto » Mon Aug 04, 2014 1:43 pm

Icebat wrote:Best things for me:
I didn't know what most of the stuff in the 7iete Pulgadas one was, but I really liked it. A playlist would be really nice!
Alex posted it on his Facebook profile

* Ambitious Beggars - Welcome
* James Dean Driving Experience - Clearlake Revisited
* The Man From Delmonte - Good things in life
* Bob - Nothing for Something
* The Moss Poles - One Summer
* Loor a los Heroes - White Village
* The Bats - Block of Wood
* The Go Betweens - Lee Remick
* The Hummingbirds - Word gets around
* The Dalhmans - Candy Pants
* Ramones - Blitzrieg Bop
* Los Romeos - Mi Vida Rosa
* Los Nikis - Venganza
* Juanita y los Feos - El Final
* Girls at our Best - Fast Boyfriend
* The Siddeleys - Are you still evil when you're sleeping?
* Talulah Gosh - My best friend
* Heavenly - Trophy Girlfriend
* The Haywains - Let's twist
* The Language of Flowers - If it's not you
* Comet Gain - You can hide your love forever
* McCarthy - The well of loneliness
* The Aisler Set - The Red Door
* Bis - Sweet Shop Avengers
* Shampoo - Delicious
* Pulp - Babies
* Aztec Camera - Still on fire
* Lloyd Cole and the Commotions - Lost Weekend
* Alpaca Sports - Just for Fun
* Los Bólidos - ¿Porque me tengo yo que enamorar?
* La Casa Azul - Cerca de Shibuya

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Re: Indietracks 2014 Photos and Memories

Post by tonieee » Mon Aug 04, 2014 2:31 pm

That's a great set list. I think I may have danced to Talulah Gosh and Heavenly as they were playing when I was passing.

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Re: Indietracks 2014 Photos and Memories

Post by Icebat » Mon Aug 04, 2014 3:04 pm

Barto wrote:
Icebat wrote:Best things for me:
I didn't know what most of the stuff in the 7iete Pulgadas one was, but I really liked it. A playlist would be really nice!
Alex posted it on his Facebook profile
...
Wonderful, thanks. :)

Aw, I left too early, there were quite a few songs I love in the last hour by the looks of it. And I looked at the playlist for the Shed Disco and that looked ace as well. I need to make sure I'm not so exhausted by the end of Sunday next year...

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Re: Indietracks 2014 Photos and Memories

Post by sweepingthenation » Mon Aug 04, 2014 10:06 pm

http://www.godisinthetvzine.co.uk/2014/ ... july-2014/

Mark J Hibbett and his Violators, there. (Also, confusing a trombone used once for a trumpet as full-time instrumentation)

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Re: Indietracks 2014 Photos and Memories

Post by hayleygerms » Mon Aug 04, 2014 10:59 pm

"Next up is No Ditching; five little girls with one big noise."

Yeah, that reviewer can fuck right off with that shit. Fucking hell.
you buried my son under a knicker factory

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Re: Indietracks 2014 Photos and Memories

Post by stolenwine » Tue Aug 05, 2014 12:19 am

hayleygerms wrote:"Next up is No Ditching; five little girls with one big noise."

Yeah, that reviewer can fuck right off with that shit. Fucking hell.
wow.
tell me how good it is / to wake from a bad dream / and have someone there and I will tell you / how butterfly wings stay dry in the rain
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Re: Indietracks 2014 Photos and Memories

Post by Rocker » Tue Aug 05, 2014 12:23 am

He (and it can only be a he) seemed to quite like us - he called us "A Bunch Of Ageing Misfits"...
Cheers!

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Re: Indietracks 2014 Photos and Memories

Post by stolenwine » Tue Aug 05, 2014 12:26 am

am i old enough to be an aging misfit yet? i totally want to be!
tell me how good it is / to wake from a bad dream / and have someone there and I will tell you / how butterfly wings stay dry in the rain
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Re: Indietracks 2014 Photos and Memories

Post by Rocker » Tue Aug 05, 2014 12:33 am

I think the irony is that everyone is 'ageing', and at exactly the same rate... unless they are travelling at a velocity nearing the speed of light...
Cheers!

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Re: Indietracks 2014 Photos and Memories

Post by joanny » Tue Aug 05, 2014 9:49 am

and THIS review is right on every point : http://louderthanwar.com/indietracks-fe ... al-review/

For many when they step they alight from the old fashioned train, onto the old fashioned platform, they aren’t just heading into a festival but are arriving home.

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Re: Indietracks 2014 Photos and Memories

Post by graysonscolumn » Tue Aug 05, 2014 11:46 am

sweepingthenation wrote:http://www.godisinthetvzine.co.uk/2014/ ... july-2014/

Mark J Hibbett and his Violators, there. (Also, confusing a trombone used once for a trumpet as full-time instrumentation)
"A depoliticised Billy Bragg"?!?!? Must have been otherwise detained during The Lesson of The Smiths and The Gay Train, presumably...

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Re: Indietracks 2014 Photos and Memories

Post by leon » Tue Aug 05, 2014 12:49 pm

hayleygerms wrote:"Next up is No Ditching; five little girls with one big noise."

Yeah, that reviewer can fuck right off with that shit. Fucking hell.
He (for it is a he) shared the review on our page and I clicked 'like' etc, before I'd seen that bit. Ugh.
"and Valley Parade is showing all its finery"

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Re: Indietracks 2014 Photos and Memories

Post by linus » Tue Aug 05, 2014 4:17 pm

Indietracks review from Suck My Pop blog on the Tumblrs... which is, I think, Kick-Ass from The Wendy Darlings (as I'm now referring to him)

http://punkvskaraoke.tumblr.com/post/93 ... racks-2014

...as my French is, how you say, just a little, not big, I had to resort to Google translate, and for other uncultured thickies like me, here is the review mangled horribly by Google into a form of English (or Googlish, if you will):
Another great edition of Indietracks festival unusual that each year sees the railway museum Butterley (Derbyshire) turn into the Garden of Eden Indie pop (for the description of the festival I invite you to read the beginning my chronic Indietracks 2012). I also recommend you to go listen to compilations of different editions, online on the site of Indietracks.

The line-up of the 2014 edition was perhaps not as rich and amazing in 2012 (cf. chronic Suckmypop) but, like that of 2013 - including "headliners" were nothing less than the Pastels and allowed me to discover or rediscover great bands like Frozy, The McTells, The Fireworks, the Sweet Nothings, The Choo Choo Trains, The Pale Spectres, Finnmark, Milky Wimpshake, the Lovely eggs, programming the 2014 vintage was full of surprises and great moments.

On Friday night, arrived late, I missed Teen Canteen and Spearmint but fortunately I did not fail, cult band of the legendary New Zealand Flying Nun Records stable the set of The Chills. I feared somewhat attend a cons-performance insofar as this group was formed there still almost 35 years! But their concert impressed me, especially in sound and quality of new songs from their upcoming album (to be released in the coming months).

If they did not play "Kaleidoscope World", "Bite" or "Doldroms", however, they wonderfully interpreted "Heavenly Pop Hits" and "Pink Frost". Also great respect for Martin Phillips I had underestimated the special talents of guitarist and mention for clearly happy to be there spectacular drummer.

After this first great time I looked far Allo Darlin 'I've seen on stage three times Indietracks. Definitely not my cup of tea. The craze for this group escapes me a bit.

The next day we could see elopes in the Church. Good energy. I particularly liked the drumming of the harvester, very Riot-Girl way Tobi Vail. The set of MJ Hibbet and the Validators, master of hilarious Popsong was cool despite a fairly rough sound.

The song "20 things to do before you're 30" was particularly funny. I also recommend the hit "My Boss Was in an Indie Band Once", even though he did not play in that game.

On the outdoor stage, I enjoyed the concert of Canadian Thee Ahs, talented and energetic musicians (excellent harvester is for many).

Some songs are reminiscent of Built to Spill sung by the sisters of Haden Rentals / That Dog. In addition, the instant classic songs like "Oooh (They're Inside Me)" recall the glorious eighties indie pop female Dolly Mixture or Girls at Our Best! A sacred tube!

I took a little absently concert Swedish Dorotea in the shed. It is almost here in the pop / punk skater nineties California. The energy is good even if the punk roulette has never been my thing.

Tent merch, I loved the acoustic micro-concert Sweet Nothings, led by the great Pete Green, accompanied by Danielle the portable keyboard and vocals and Dan ukulele very well used (so I appreciate reaches this instrument, it really takes the music really great evening!). There are still not released an album but they have a collection of real power hits, including "Love and Peace International Socialism" or "She's an Accountant." In London last May I had seen back "I'm Not Like Everybody Else" Kinks; it was something!

I unfortunately missed the set of Blue Minkies that I had the best echoes, but I could not miss The Manhattan Love Suicides, Leeds quartet recently reformed. With their very noisy pop in the tradition of Jesus and Mary Chain and Primitives, I could not help but be thrilled. Although the heat was hellish in the Church, it was a sacred foot to hear a tube such as Keep It Coming played at full power.

Beautiful delivery Joanna Gruesome in the shed. IL two years ago, in the Church, I had the pleasure to see them play their melodic noisy-pop inspired very very first singles of My Bloody Valentine and Dinosaur Junior. If they can not compete with their masters, but must rejoice that such a group exists. They were under the pedal (effect) and know effectively send watts. And we will not complain about the coming of Deann Wareham person who had the class to agree to resume "Tugboat" by Galaxie 500 with them. Respect.

I missed the concert Popguns. A little disappointed because I had met earlier accident Wendy and Kate singers who proved to be a coolness foolproof.

For me the top of the festival will be the magnificent and magical concert Dean Wareham. Excellent backing band (with his lovely wife Britta bass), maximum charisma friend Dean Wareham, songs inhabited by grace ... we are here in the course of ages. The former leader of Galaxie 500 and Luna appears at the summit of his art. No bad taste, sober arrangements but spacious sound combines power and lightness, a heavenly singing melodies and psychedelic flights demanding installing a cinematic atmosphere inviting to mentally travel to major American space and stars. The song "Love is not a Roof Against the Rain", taken from his latest album has personally brought me levitating and I it was a great joy to see and hear the wonders that are "Tugboat" or "4th of July" . Great moment of music.

The evening ends with a sort of concert-conference Gruff Rhys Superfurry of Animals. The guy is friendly and funny but the music does not affect me and the setlist seemed to me quite inconsistent. Not my thing at all.

The next day was the opportunity to make the best discovery of the festival: The Thyme machime. I personally have taken comparable to last year seeing the slap McTells. At first I feared the worst when they saw the singer dressed in leopard and use confetti cannons on stage, but these fears were soon dispelled by listening foursome Lancaster chain of fabulous hits worthy pop lo-fi Television Personalities or Bartlebees. I love everything came together: Garage sharp guitars, a voice cockney accent, super melodies, a touch of madness, a punk spirit underlying and a sense of the absurd. And not content to do the show so hilarious (he even threw cakes in the public and spent a good 5 minutes to shake paws in public), Kriss Foster has all the appearance of being a nice guy greatly.

The last day, I missed a lot of bands I wanted to see and I heard the greater good, as Watoo Watoo or Trust Fund but I had a good excuse: I was playing the same month with my own group - The Wendy Darlings - in the hangar. I'll spare you a autochronique but all I can say is that I had a wonderful 14 foot chain securities to a white-hot public. A great moment! (See video of "Teenager")

I also loved the acoustic solo concert by the talented Pete Dale Milky Winpshake very good. It was great class. Personable, tongue-in-cheek, coolness, almost pieces played on the map. I must salute are excellent cover of "Sorry to Embarass you" of Razorcuts.

The last two were good moments of the festival for me the concert Flatmates and that of the Just Joans. The Flamates, whose original singer Debbie, was replaced by the vivacious Lisa Bouvier is a reformation of the legendary Bristol band whose contagious energy seemed to delight festival. Personally I'm a fan of drumming to the Wedding Present Brian Price (also guitarist and singer Peru) and I love the keyboard action of the legendary "Rocker", legendary DJ and show host indie must pop on Dandelion Radio.

The Just Joans gave one of the best concert of the weekend. With typical Scottish accent regaled us hits like "Hey Boy You Are so Sensitive" and "What Do We Do Now" and made an excellent and unexpected cover of "Do you Remember the First Time" Pulp and less expected yet "Would he kiss me tonight" Dolly Mixture.

The evening ended on Hidden Cameras that I have not loved at all. So I will not say anything.

Groups of 56 in spite of myself I had to skip many of them. I would have liked to see my buddies Okinawa Picture Show or Landscaping Royal Society, Lonely Tourist, Watoo Watoo, Trust Fund or review Los Cripis that I loved the excellent concert in Nottingham a few days ago (a group of dissonant noise rock which contains the "do not hurt my little sister" Beach Boys can not be that cool). Indietracks but you have to make terrible choices!

Those are some of my Indietracks 2014, the world's coolest festival, or adulescents in paradise, or you can dance to excellent music (although rare), or you can eat a curry next to Dean Wareham and cross Pam Berry Black Tambourine or Phil Wilson of the June Brides.

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Re: Indietracks 2014 Photos and Memories

Post by sweepingthenation » Tue Aug 05, 2014 4:22 pm

Mark should get business cards made up reading 'MJ HIBBETT: Master Of Hilarious Popsong'

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Re: Indietracks 2014 Photos and Memories

Post by linus » Tue Aug 05, 2014 4:38 pm

To balance things up, I took Trev's original post on this thread (sorry Trev) Google translated it into Japanese and then Google translated it back into English:
(I did not catch much on account of the work) band highlight.

Manhattan Love suicide.
Wendy Darlings
Onsind

Also, I really enjoyed.

Okinawa show
Totem surprise
Shake skeleton
Big Joanie
Joanna gruesome

I caught a small snippet of the other set of / bar far only.

In addition, it is the first customer in the bar for the fourth consecutive year - (I found his name this year, Alex Hello) by man of a nice bar.

I mean such as was done in March stall full-time, this year, was Indietracks very different for me - it (for me), did not go to the top last year it, but I ace still time I've had. To see the friendly face of many to come in the tent of March, it is chatting, was that nice, your people are all FAB.

In addition, where he managed a great 30-minute steady girl ready 40 minutes of another wine dance Fest in stolen and Saturday night. I am looking forward to the dance on Sunday, but I came down with the start of the cold smell in the last few hours - and the combined March, had hidden in the bed to see Casanova to Terry I am. :-)

It is not so large.

I was disappointed with the food. (But still, I love Gopels) had never got to try it, but I did not have a decent burger at all vegetables - was sold out so quickly pizza. However, it's a small complaint ..... such
No difference to how Trev usually rabbits on

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Re: Indietracks 2014 Photos and Memories

Post by Trev » Tue Aug 05, 2014 4:43 pm

I'm most intrigued by my COLD SMELL.
not really here

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Re: Indietracks 2014 Photos and Memories

Post by graysonscolumn » Tue Aug 05, 2014 5:32 pm

Dear Indietracks, do us a favour and live forever. My seventh visit, Linda’s third, and certainly among the better ones – not that any of them have been anywhere close to being absolute clunkers.


HIGHLIGHTS:
=============

- Seeing Spearmint at long, long last – I never managed that despite spending the second half of the 2000s living daan sarf. Don’t recall them playing Meet Mr Marsden, which is about the only other thing they could have done to improve the set for me; and Sweeping the Nation provided an early first lump-in-throat moment this festy.

- The Chills. Heavenly pop hits. And Heavenly Pop Hit.

- Allo Darlin’. Guests! Salle Pierre Lamy camera specs! Most of the hits! An outstanding headline set, and as someone else has already said elsewhere, one that felt all the more special for coming from one of “our own”, so to speak – an act that we've been delighted to see grow in ambition and success for almost as long as Indietracks itself has existed (still possible to see the footage of Elizabeth performing Emily on the station platform at the 2008 festival on Youtube…). Hushed reverence as always for the amazing Tallulah. I really want to send someone a postcard of a fat man eating a sausage before I cark it.

- Skeletal Shakes. Unfair to compare them to Standard Fare and one shouldn’t try – Emma Kupa was and remains such a singular and amazing talent. Just really nice to see Andy and Danny having a fun time on a big stage once again.

- No surprise to see Pete Dale near the front and attentively listening to the feminist killjoys Elopes’s blinding set in the church. Definite echoes of some of the erstwhile Slampt roster here musically, especially in Cara’s bludgeoning, insistent drumming. Missy X? International Strike Force? Small Black Pig? Any of those? Definitely think Hazel is a more powerful vocalist than any to record for Slampt, mind – really commanded the church. More, please.

- There’s probably only one thing in the world better than MJ Hibbett, and that’s introducing MJ Hibbett to a loved one. Linda now fully conversant with when to Punch The Air in You Make Me Feel Soft Rock, how to do The Indie Kid, when to shout “Oi! Hibbett!”, which song lauds the trams of Sheffield, and why It Only Works Because You’re Here might just as well be me set to music.

- Barely a fortnight on from putting a brave face on it in front of about 11 people at Sheffield’s, um, sonically challenged Washington, it was brill to see Thee Ahhs (a) playing to loads, loads more people, (b) sounding outstanding, and (c) going down a storm. Couldn’t happen to lovelier people.

- Dorotea. Hardly have the words. Short, sharp blasts of outstanding. Drummer? Pshaw! Ta for enticing them over again, Crystalball…

- Sounded like a final farewell from The Blue Minkies, and they bowed out on a high if so. And was that a Pussycat Trash cover I heard in there? Guitarist looked like an indiepop Howard Moon. No jazz did he play, however.

- There’s probably only one thing in the world better than Niall McCamley talking bollocks, and that’s introducing Niall McCamley talking bollocks to a loved one. Commanding set from The Spook School inamongst the asides about sweating, other bands, etc.; and delighted to read elsewhere how often and how much I’ll Be Honest tore up the disco dancefloors over the weekend.

- The Sweet Nothings in the merch tent. Peace, love, international socialism, the original Littlejohn reading of Subterranean Moseley Blues (a Farage variant also now exists), ukulele debuts, birthday wishes, The Ramones and a perfectly choreographed t-shirt logo-related gag. Nothing not to like.

- Beautiful set from Nat Johnson, Connie Converse covers, MSTU-era tales of Sheffield flooding and all. Anyone else spot the lap steel and banjo being played by a Millipede, virtually four years to the day since that act bowed out with a set in the self same church?

- Another one off the never-thought-I’d-see-them-live list thanks to a serene set from The Popguns. Love the self-referencing in Still Waiting for the Winter.

- Just occasionally, it is possible to headline a festival set with little more assistance than a hairy drummer, a little metal box that goes eeeeyyyeeooooo!!! periodically, a Childrens’ Television Workshop doll kitted out in 18th century explorer’s garb, and a PowerPoint presentation… well played, Gruff Rhys. An early signee to The Lovely Eggs’ charter against phoney encores, I assume, and the go-to man for lost child messages, too. I’d like to see him being asked to deliver the appeals on Crimewatch in the same style.

- A deservedly good turnout for an ace set on the Sunday lunchtime train by Shelley Jane, a ubiquitous presence over the weekend c/o stints on both marshalling and bar duty.

- How lovely was The Swapsies’s set… melodic, beautifully crafted and good natured. Reminded me in places of Waterpistol-era Shack, but with greater lightness of touch and without the industrial quantities of drugs. Nice of Gianluca Vialli to do keyboards and melodica for them. Enjoyed the perky little Indietracks-themed reworking of a Buddy Holly track to finish with also.

- There’s probably only one thing in the world better than etc. etc. etc. ….. The Thyme Machine. Amazing and hilarious! I love the same interest they seem to have in the absolute minutiae of life and joy of the absurd of The Lovely Eggs; and although hailing from further up the coast and M6, Kriss’s talky bits in between songs remind me somewhat of Alexei Sayle at his most deadpan. A very good thing, that. Kittywake and Jimmy Glass in particular were vying for mental jukebox airtime for days after, and only hands full of pizza and drink stopped me pelting down the front to grab a Tunnock’s teacake and 3.5 inch floppy. VERY much hope there’ll be Thyme Machine and Lovely Eggs alternating between successive Indietracks for the foreseeable from now on.

- Stereolabby parps and easy listening cooing? Nice isn’t a bad word, as far as I’m concerned, and Watoo Watoo were nice.

- The Wendy Darlings. Oh, my. Easily the most effortlessly punk rock set I saw this weekend, or indeed for a long time – loud (more than I remember them being last time), insatiable, eviscerating. Suzy Bo reduced her fingers to pate for your entertainment. Hope you appreciated.

- Turns out Liz Hunt did a train set at the first Indietracks, too, but I wasn’t there and didn’t know that. Great to hear a choice selection of School tracks all pared down to their purest form of just guitar and glockenspiel (pretty much), at probably the most bearable temperature-wise that the train carriage had been all weekend up to that point.

- The Very Most - the Beach Boys without the megalomaniac redneck Mike Love-type bell-end; or the Idaho Teenage Fanclub with added Vinnie MyLittleOwl whilst stocks last? Take yr pick.

- Shame the first part of Screen Prints’ first ever live performance was beset with a few monitor/playback issues, and shame as well that the vocals never quite fully rose above the mix. I always liked their tunes first and foremost, though, and those have aged well. A pleasure to see this, and hope it wasn’t too terrifying an ordeal for them.

- I know they sell nish all records and that, but can we have The Just Joans as headliners one year? Please? They never, ever disappoint. Only a set long enough for them to still include Stuart's Got a Dirty Book or Hideous Accident could have topped things off for me. What Humblebee said about the Dolly Mixture cover as well. Swoon...

- The Hidden Cameras, their joyous abandon, their sashes, their kilts and small kids happily jumping around in time to them. I’m sure there’s some sort of anti-Nicky Morgan political capital to derive from that last thing, but I’ll leave that to someone a bit more articulate.

- Headbanging toddlers on parents’ shoulders during The Blue Minkies’ set,

- Woodfired pizza stall did cheese-free on request. So I requested. And got. Yum!

- Whichever curry it was that Gopal laced with pomegranate seeds. Wow.

- Butterley Tunnel ale. 4.2% of jet-black goodness.

- As always, ceaselessly amazing and friendly and happy site staff everywhere. Bar staff as always rock-solid in the face of parched indiepopkid onslaughts; and as Moopind said to me at one stage, it feels like we’ve shared about a quarter of the life now of that young barman with the white shirt and borderline hair-metaller’s hair. You’ll know which one.

- Owls!

- Parrots!

- Cockatoos!

- Ian the Donkey

- Gimp Horse

- Foals everywhere – looks like Gimp Horse has been busy

- Pingu fun bin still present in campsite. "Well proposed, Councillor Cox!", etc.

- The “Not Punk Enough” blue tartan badges. A point made, and a point made perfectly.


LOWLIGHTS:
============

- As usual, sad I didn’t manage to catch up with everyone I’d have loved to,

- As usual, sad that I *still* haven’t done everything on site (certain museums/displays, etc.) after all these years,

- As usual, sad that the weekend awoke all sorts of dormant thoughts of writing songs, revisiting songs written on and off over the last 20 years but never shared, and actually buying some keyboards and a four- or eight-track and revisiting the ivories after so long away… same thoughts as every year, never taken any further because of Reasons. Sigh.

- As usual, sad the festy was all over too soon,

- Not arriving in time for Teen Canteen,

- Elopes-into-Hibbett meant missing all of The Royal Landscaping Society. Hearing retrospectively about the cover of Missing The Moon, a track I presume The Field Mice never attempted live, has just salted that particular wound.

- Missing all of the Indiepop Singalong, save for Hibbett’s Will Smith cover, as Gruff Rhys won out. Could we have one naffo headliner to reduce the competition next year, please?

- Chickening out of getting a Salle Pierre Lamy portrait done, especially when learning how fab a job they did of giving Tonieee strawberry nipples and detaching Jo's knee. I’m not scared of Edgar the Cat and Bryce the Marshmallow and their flask of Risky. Really I’m not. No.

- Couldn't find any real coffee anywhere, with all stalls offering wetted Nescafe granules and nowt else, as far as we could tell. Opportunity for someone there?

- Very limited running of the jolly little landtrain to and from the campsite, and none at all at certain times of day when it would have been hugely appreciated. Appreciate that the fuelling cost of the thing might prevent greater use than previously, but maybe small charges per ride or per weekend could help defray those costs?


Biggest lowlight though, of course, is that it's not July 2015 yet. But you know that already. Sigh...

gc
Last edited by graysonscolumn on Tue Aug 05, 2014 10:36 pm, edited 1 time in total.

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Quality Janitor
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Re: Indietracks 2014 Photos and Memories

Post by Quality Janitor » Tue Aug 05, 2014 7:48 pm



Heres a clip I got of the ukulele orchestra - just happened to be walking past the tent at the right time. Pretty impressive stuff, should have given it a go myself.

Great weekend, loads of good points, Spook School were tops for me. I see loads of people are rating it as the best ever... weather conditions certainly helped that, but I really don't think the headliners were anywhere near as good as last years selection?.. Still can't get my head round Hidden Cameras or Gruf Rhys, but maybe thats just me ;-)

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