Goldie Dawn/ Antibodies/ A Culture of Killing/ Cement Shoes 'NEW RECORDS

everything else

Moderator: Paquito

Post Reply
DrunkenSailorRecords
Posts: 39
Joined: Tue Jul 30, 2013 22:08
Last.fm: http://www.last.fm/user/

Goldie Dawn/ Antibodies/ A Culture of Killing/ Cement Shoes 'NEW RECORDS

Post by DrunkenSailorRecords » Fri May 01, 2020 11:39

4 new releases up for Pre-Order, all out May 29th

Goldie Dawn - ST 7"

"The lasting effect of constant exposure to the Rip Off Records back catalogue, Back From the Grave, and the general radiation of Destroy All Monsters has produced this 4 track guitar-athon. This is dripping with touches of the Electric Chairs, Kiss, and the Heartbreakers, but holds together as a blast of modern offering in the grande tradition of very loud guitars and loving rock and roll". - Jonah Falco.


"You’re gonna enjoy Goldie Dawn’s debut EP. It begins with a crash of power chords. Nothing fancy, just the sound of Cheap Trick’s ‘Surrender’ being pushed down a fire escape. Almost immediately, it explodes into a bona fide garage-punk stormer, like Brian James’ finest Damned riffs bolstered by some serious bottom-shaking – yes, we’re going there – GROOVE. ‘Gone With The Wild’ sashays and slinks around, even as it feels like it’s hurtling full throttle towards your skull. It is without doubt a tremendous slice of rock and/or roll.

Hailing from Glasgow, Goldie Dawn’s mighty racket is heralded by the dramatic presence of Kate Rambo on vocals – and hers is a formidable snarl, with shades of Ludella Black and A Giant Dog’s Sabrina Ellis. It meshes perfectly with the wall of sound concocted by her bandmates, equally capable of creating an addictive noise from the finest riffs in punk’s ignoble history (‘Crime’) as they are of making a jauntily moving country ballad that twangs in all the right places (‘It’s Nothing To Me’).

You’ve heard all these tricks before and no one here’s ashamed to admit it; the trick is in the joy that emerges when the guitars are ablaze and Rambo’s at full pelt. Remember how the humble 7” used to feel like pop’s finest weapon on the front line? An explosive device loaded with hooks and delirium? So do Goldie Dawn. Raw, fun and… what’s that word the broadsheet writers use to describe records that feel like classics even as you’re hearing them for the first time? Oh yeah: timeless. If you’re gonna wear out your stylus, playing this on repeat for the rest of existence would be a worthy cause"
Will Fitzpatrick.

Listen Here
https://drunkensailorrecords.bandcamp.com/album/st-7-5


Antibodies - 2019+2018 LP


"Look up the Canadian city of Charlottetown and you’ll learn a decent chunk of its musical history. Big bands, opera... even fiddle music, thanks to early Scottish settlers in the province of Prince Edward Island. What the guide books won’t tell you, for some unfathomable reason, is that the place is also home to one of the most blazing weirdo hardcore punk bands on the planet.

Meet Antibodies: Ben, Teajay, Ryan and Brett make a thoroughly scuzzy, blink-and-you’ll-have-missed-half-the-album racket that shares a lax attitude to studio fidelity with their countrymen the Booji Boys. So far they’ve racked up one mighty impressive demo tape and two intensely enjoyable albums, the helpfully titled ‘LP 2018’ and ‘LP 2019’.

It’s the latter two releases we’re talking about today, since they’ve been compiled together onto one unmissable slab of wax (equally helpfully titled ‘LP 2019 + LP 2018’). With each side ten tracks long and wobbling around the 11-minute mark, it’s clear they’re aiming for brevity, concision and a speedy approach that’s gonna see ‘em ram as many full-pelt ragers through your ears in as short a time as possible. Yes, on first listen it’s a blur of furious energy and brutal power chords, with barely enough time to pause and take it all in. But of course, by the tenth listen you’ll have declared them your favourite band and written them a dictionary’s worth of love letters, begging them to come play your town.

This ain’t music to savour subtly, or to spin in the background while reclining gently on a chaise-longue while sampling the finest wines and most befuddling of gourmandises. This is punk rock in its purest form. It sounds like Thee Oh Sees, shorn of the krautrock groove and 60s sprinklings, firing themselves from a cannon straight into a brick wall. It’s relentless, not that you’ll want it to stop. It’s Black Flag if they’d only stuck with Keith and realised their songs could all be edited down to something even more potent. It’s two records from last year and the year before, juxtaposed to form your favourite album of 2020. Play it once, play it twice, play it over and over again, forever; Antibodies are the product of and cure for boredom - and boy, do you ever need ‘em in your life."
Will Fitzpatrick.
First 100 on Pink Vinyl.

Listen Here
https://drunkensailorrecords.bandcamp.c ... 19-2018-lp




3 Track EP recorded in Australia on Cement Shoes recent tour.

"There’s a parallel universe out there somewhere, one where Poison Idea’s ‘Pick Your King’, Gang Green’s ‘Sold Out’ and Negative Approach’s ‘Tied Down’ are sacred texts and all art is merely an attempt to bow down and pay tribute to their holy genius. In this universe, Richmond, VA’s Cement Shoes will be truly worshipped as the heroes they deserve to be - this triple shot of hits is a perfect piece of punk in that lineage.

‘Smashed on Glass’ opens with a gloriously farty synth replicating the Universal Pictures movie fanfare, setting us up perfectly for the scraped-knuckle joy to follow. It’s a two-minute thrill ride of high-speed aggression, bludgeoning guitars and vocals that sound like singer Trevor’s larynx has been wrapped up in barbed wire, crushed with a steam roller and then coaxed back to life by vigorous brushing with wire wool. You know, all that fun stuff.

It’s followed by the brilliantly titled ‘Knocked Into The Reptile Enclosure’, which continues their sonic assault with gusto as Trev roars into life with a ‘bababababa’ that sounds like The Trashmen falling into a vat of toxic waste - perfect for hollering back from beerdrunk moshpits, or simply for turning up to maximum volume, annihilating all goodwill with your neighbours and earning yourself a tidy warning from The Man. But fuck that guy. By comparison, ‘Going off the Grid’ is more restrained, but it’s still wild as all hell, pulsating with menace and invention as guitarist Brandon leads the band down a series of dark roads, seemingly blind alleys and secret escape routes. It might just be the best song of the set, but shhh! Don’t tell the others.

The record is subtitled ‘A love story of drugs & rock & roll & drugs’, which sounds straightforward enough. If you can pierce through the rollicking scree to find that story, you’ll be screaming along at the walls for the rest of time. Either way, this is a great piece of old skool hardcore - perfect for honing that tinnitus you’ve been working on all these years."
Will Fitzpatrick.

Listen Here

https://drunkensailorrecords.bandcamp.c ... ll-drugs-7


A Culture of Killing - ST LP

Originally released on tape, now mastered by Daniel/ North London Bomb Factory Mastering.

Very little information exists about Italian anarcho-punks A Culture Of Killing. Like many of their forebears, they evidently eschew communication via mainstream press or corporate-owned social media.
So I guess it’s on me to tell ya that their latest release is a long-overdue vinyl press of their 2017 self-titled cassette, and it absolutely slays.
OK, it’s not immediately obvious as anarcho - you won’t find the teeth-rattling rhythms of early Crass or Flux Of Pink Indians on any of the eight tracks here. Sonically the territory the occupy is somewhere between the gothed-out territory marked out by The Cure and Siouxsie, and the more mournful but recognisably punk tones of The Mob (in fact, they even cover that band’s Mirror Breaks and firmly put their own stamp on it).
This screams early 1980s - a time presided over by right-wing politicians, with the shadows of recession and poverty hanging ominously over proceedings… hey, that sounds familiar… Unsurprisingly for a bunch of anarchists, ACOK are about far more than the mere sound of the music. They rail against the state of the world - and sure, these songs are from 2017, but it can’t have escaped your notice that things ain’t improved too much. That’s why we need soundtracks like this, helping us make sense of the mess we’re inhabiting thanks to the shitbags in power. If that sounds simplistic, their worldview is most assuredly not. For now though, it’s clear what we have to do: ENGAGE, for fuck’s sake.
And that starts right here, with a record that’s dark, entrancing, exhilarating and… ah hey, I’m going there: IMPORTANT. Press play and thrill forever. Anyone who doesn’t is a fucking cop.
Will Fitzpatrick.

Listen Here
https://drunkensailorrecords.bandcamp.c ... m/st-lp-11

Buy them all here
www.drunkensailorrecords.co.uk

Post Reply

Who is online

Users browsing this forum: No registered users and 1 guest